Iceland Days 3 & 4: A slow build to Snaefellsnes

Day 3: Sheltered in Vogar

The storm arrived. Northwest winds of up to 50 m/s (about 110 mph) shut down roads and local gusts pummeled the hotel window. We decided today’s Vogar adventure consisted of a walk to a convenience store and then waiting for the nice folks at Gamla Pósthúsið to open for dinner. I highly recommend this unassuming, excellent dinner house; it is perfectly located across the quiet street fronting Hotel Vogar.

The driving rain paused only for a few moments, here and there, during the day. In mid-afternoon, as the grey light faded, I walked the harbor and the few residential streets. As I packed and re-packed my gear, charged batteries, and cleaned lenses, I had growing concerns about how the storms would affect our workshop plans. Did all the participants arrive? Would the one highway to Snaefellsnes be open tomorrow?

Thor emailed a few times during the day, strategizing about how we would meet up in the morning. I had the rental car and planned to return to the airport to join anyone arriving on morning flights. It seemed a few participants, if their flights made it, where staying tonight at a guesthouse near the airport in Keflavik, and maybe some were already in Reykjavik. But nothing to do now but wait out the storm. There was plenty of beer across the street.

Day 4: The Sheep go to Snaefellsnes

Iceland in winter is not as cold as most people think. This is especially true, I think, on the south coast where the relatively warm Gulf Stream moderates things. Always seemed like a high of 2° and a low 0f -1° (that’s Celsius, by the way); not really any more variability than that. Certainly not as cold as western Nevada. However, the windchills get absolutely crunchy cold. And today, Iceland’s first winter storm of 2018-2019 dished it out.

But no worries, Thor and Nick were on schedule (via email) and I left Bill to head to the airport for the workshop’s opening rendezvous—Bill flies back to the States later in the day. Returning the rental was easy and after the usual forensic check for dings and scratches—Iceland roads can be rough on rentals, and the final inspections are clinical, I was back in the terminal and wandering like any other newly arrived photo-tourist. The arrivals area isn’t that big and I quickly noticed a couple guys sitting with tripods and sporting that experienced backcountry look. Robert, Jeremy, and I loiter near the exits. “Where ya from?” “Been on any other workshops?” The early banter of a growing team. Quinn arrives. And soon Thor is there with the van. Spot-on, on-time.

We have a couple stops to make. A guesthouse in Keflavik where Erno, Randy, Mike, and Ian loaded in. Nick, to his and our relief, appeared just about human and had commandeered Thor’s smaller 4x4 Nissan. Into Reykjavik downtown where Cindy and Ken seemed to wait on random street-corners. That was it. Now we were ten sheep and two wolves, as Thor immediately clarified the taxonomic workshop hierarchy. The captive barnyard of new friends turned into the storm.

The plan was to drive toward the Snaefellsnes Peninsula in the western region. The benefit of having Thor, our native Icelandic co-leader, was readily apparent. He can call friends at the road service and has mobile connection to several obscure but locally significant weather assets. He contacts the night’s hotel and gets conditions on their porch, nothing lost in translation. On Iceland’s ring road heading west, scudding clouds blocked the horizon and our van leaned into the wind. We took a lunch break at a truck stop where the burger and sandwich selections had names of US cities. Do I order the Reno?

As we traveled along the southern coast of Snaefellsnes, with the ocean curtained by blowing snow and low clouds, the volcanic scarps of the sudden mountain-fronts reminded me of the northern Basin and Range. In the stormy twilight, the dispersed groups of small buildings could be mistaken for Oreana or Beowawe, Nevada. Tan pastures and haybales, mossy lava flows skiffed in snow, black, stratified uplifts backing every winter scene—it did not seem too far from home. But as darkness of the afternoon lowered, the storm intensified; this wind and driven snow had teeth that where somehow sharper than any Great Basin gale. The stout 4x4 Sprinter rocked and drove forward.

We passed occasional structures that slowly transformed into cold, blue-white drifts. They looked abandoned for the season, or maybe forever. In a momentary lull, our leaders, communicating by two-way radio, thought maybe we had a location worth shooting. With that suggestion made, however, a white-out gust blocked any forward movement. We turned around. The once-talkative van was silent.

None of us had any notion of our next move. Where was the guesthouse? Was there lodging available now that we turned back? But after a very few minutes, Thor steered us into the driveway of a lonely cluster of buildings shrouded in blowing snow. A thick frosty rime had developed on the simply gabled structure. “We here,” Thor exclaimed. “Everyone out.” A door on the encrusted building cracked open as bright light streamed out, and our eyes began to focus on a lengthy, low-slung guesthouse, one that looked nicely warm on the inside. Langaholt.

Walking ice after dark, Langaholt Lagoon. 

Langaholt Evening. Difficult conditions for hand-held photography, but I needed the walk.

Closing the Veil. The mountains of Snaefellsness at Langaholt.

We settled in for the night—a good time for introductions around dinner and beer. The roads were all closed now. We’d beat the storm to Langaholt, but would it allow us a sunrise tomorrow?

Back to Day 2. Click here for Iceland 2018 Gallery. Up next: The Light Begins…

Iceland Day 2: A coming storm

Day 2: This LightOpt Series is a photographic journal of 12 days in Iceland. 

Back in Iceland. A volcanic desert plain above the Tungufljót River.

Boarding a plane on any airline, it’s hard to tell one flight from another. It’s the same rows of seats, banging of carry-on, and hoarding of overhead bins. But when that first intercom announcement hits my ears in a foreign language, I know this plane ride is different. This happens every time; I perk up and relax in the same moment. It’s time travel. I’ll jump out somewhere else, in some other time zone, and things will be slightly beyond my control. In fact, call me strange, I love airports and planes. They are possibilities.

And yet, my romantic notions of travel don’t get me out of sitting bored for seven-plus hours, Seattle to Keflavik. At least I had the row to myself. Nick also had two seats to himself, having scared his seatmate off to other parts of the plane at the slightest mention of illness. He also had a pile of blankets, a dysfunctional overhead light that was permanently on, and emergency access to the lavatory (access that under the circumstances still required the occasional and grueling 15-minute wait). Oh, the romance and intrigue of being a globe-trotting, professional photographer.

We arrived at Keflavik International in the pre-dawn of Wednesday morning. Of course, at the on-set of winter near the Arctic Circle, pre-dawn is anything before about 10:45 AM. Anyway, it was early and very dark. Although I’d lugged all my camera gear (minus tripod) as carry-on, my warm and waterproof field gear, and everything else, was in baggage. Navigating passport control was simple and we soon wandered over to baggage claim. Once there, we enjoyed those few moments of nervous waiting, when you’re sure your bag has dropped onto the carousel, but it’s a carousel in Cleveland, not Iceland, because it is taking forever, and hundreds of other bags have come and gone, but there it is. Finally.

I’m here a couple days ahead of the workshop start. Nick and I parted ways. He to recoup and meet up with Thor, and I to hire a rental car and escape the airport. I made the short drive to Vogar, up the road toward Reykjavik, to see if I could check in to my hotel in the early morning. Bill is already there and said my key is waiting in the foyer. Sure enough, I find the small Hotel Vogar and drop into the lobby. My key rests with a nice note, otherwise no one is around. Bill seems the only other occupant.

The forecast looks grim—big storm rolling in and strengthening off the southwest coast. It will mean harsh northwest winds and bring rain and snow. Foregoing sleep until the evening, Bill and I decided to head north for the Golden Circle, a day of driving to hit some of the tourist spots—Þingvellir, Geysir, and Gullfoss.

Moss (Cetraria islandicaand volcanics, somewhere on the Golden Circle.

We made a few stops, hiking a bit while I tried to shake off sleep. In addition to circumnavigating the globe, Bill’s been around this loop before, staying in guest houses and hiking deeper in, so he shares stories about several places off the beaten path. The roads are relatively quiet. Our stops at popular vistas and trails are not crazy-crowded, but there are plenty of tourists, until we finally reach Gullfoss. It’s large parking area looks almost abandoned. It’s getting late, folks scurrying back toward Reykjavik now that the wind has picked up and the effects of the storm are growing. The light is receding, and I’ve learned my first Icelandic photography lesson: the winter Golden Hour lasts a long time here—because the sun remains low on the southern horizon at this time of year, sunrise and sunset last all “day” long. You don’ t need to “chase the light”, something I’m guilty of at home. However, scudding clouds and dusty mist plumes can alter things quickly. As lenticular clouds stacked the sky, we drove right past the Gullfoss tourist building and continued north—not another car in sight.

We pick a random pull-out as I gawk at distant, pink-hued mountains framed by lenticulars. Wind-driven glacial dust provides a warm glow in the slowly fading light, a verification of my purpose for being here. Conditions beautiful, inspiring, and challenging. We hiked across a sandy, boulder-strewn plain to overlook the valley of the Tungufljót River backed by distant mountains and glaciers (Eystri-Hagafellsjökull). We followed sheep trails and a few random vehicle tracks, and yet we occasionally post-holed through the indurated crust—a local reminder of the freeze-thaw cycles affecting this boulder-strewn landform. There’s little vegetation on the wind-swept surface, a beautiful glacial desert of volcanic boulders. I captured images of the distant range but shooting into the wind I get sand-blasted, especially when lowering the camera’s perspective for foreground interest. No worries, the lenticulars to the south were blooming in post-sunset hues, I turned around to shoot with the wind.

The coming storm, on the bouldery steppe above Gullfoss. Troll fences ready.

With the light fading, we still wanted to visit Gullfoss, so we turned back to the waterfalls. Once we’d parked, while grabbing my camera and locking it into my tripod, the lens cap popped off. I watched it roll, at about 30 miles-per-hour, across a few acres of mostly empty parking lot. I figured it would stop at a distant set of gravel berms and calmly pursued it. It was there, among various other detritus gathered by the gale. But now we could barely make forward progress; we leaned into the wind as the few other visitors were stumbling toward shelter.

Little did I know, this would be good practice for the coming days. I framed a couple images sitting on a lonely cliff-edge looking down the falls with my back to the wind. As I adjusted the camera, trying to compose a shot and judge the exposure between wind gusts, Bill belayed me by clutching my jacket. It wasn’t dangerous, really, but several gusts had us reconsidering our precarious position—if I had let go of the tripod it would surely have been lost to the abyss. The shot doesn’t do Gullfoss much justice, and there are plenty of better ones on any social media, but it was such fun and a seductive reintroduction to Iceland.

Gullfoss by gale. 

We returned to Vogar, driving into the teeth of the island’s first winter storm. What will this storm, howling outside my hotel window, bring as we continue the Icelandic Winter Adventure?

Back to Day 1. Click here for Iceland 2018 Gallery. Keep going…

Icelandic Winter Adventure: A Photography Workshop

Day 1: This LightOpt Series is a photographic journal of 12 days (mostly nights) in Iceland. 

Invest in yourself – sage and true advice if there ever was any. So rather than believing the next new piece of gear was going to spark some hidden creativity, I decided to travel for a landscape photography workshop. I’d get some first-hand instruction, collaborate with other photographers, and visit somewhere beyond the Great Basin. But what workshop?  It had to be a cool place with maybe a few iconic locations, but it also had to have potential for interesting conditions. And yet, most importantly, the instructor had to be someone I am familiar with, has an informal and proven teaching style, and exudes a creative vision that I could (and may forever) aspire to. In the day of YouTube, where tutorials abound, it’s relatively easy to wade through personalities and styles and, ironically, “get to know” someone. Sort of. I had also purchased a few paid video tutorials and image critiques, giving me first-hand experience of teaching styles.

 

When, last spring, Nick Page offered up an Icelandic Winter Adventure, I had confidence it would check all the boxes. I’d gouged around Iceland several years ago and have always planned to return. The workshop also emphasized that Nick would be accompanied by Thor Jonsson who would bring invaluable local knowledge; a collaborative team that also basically halved the participant:instructor ratio from the start. Seemed perfect, I immediately signed up, and then…  The day after I invested in myself all the Iceland news and commentary shifted immediately from the wonders of Iceland to how it was basically and completely overrun with tourists and not a few too many photographic workshops. My confidence in this decision began to wane. Would the conditions meet my hopes—I can take bad weather, but will it be all tour buses and tripod entanglements? What are the real chances of aurora? And, lastly, would the workshop group be interactive, open-minded, and, well, nice?

I left Reno in late November with these questions lurking in the back of my mind. I had created an itinerary that would get me to Iceland with a couple days to spare at each end of the eight-day workshop. I’d rent a car and do some solo travel, my preferred idiom. But over the summer I learned that a good friend trekking around the world would be ending his two-month sojourn by flying into Keflavik as a homeward stopover. We wrangled with flights and hotels to time arrivals so that we could, at least, share an Icelandic dinner and beer.

I hit my connecting flight in Seattle and found Mr. Page—he’s easily recognized, I mean, that beard—at the Icelandair gate. As I introduced myself, he instinctively reached out his hand but had this weary look in his eye, “get away from me, man.” The first words of one-on-one instruction from one of my heroes of photography.

I’m often most happy on travel adventures when the itinerary breaks down. Things get interesting when you get off the main road, find sketchy lodging, stumble into a village market, and meet the real people. It is sometimes a bit (or a lot) scary but it is all about how you respond, and the rewards can be huge. Nick was incredibly ill and kindly did not want me to catch his bug. He had the worst flight imaginable. I had the best.

Recon to Frog Lake, Carson Pass, CA

Reflections and fractures. A focus-stacked image looking north across Frog Lake, Carson Pass, CA. 1/80 sec, f/9, ISO 100; Canon 5DmIV, 24-70mm f/4L.

The smoke has cleared a bit at StoneHeart so I thought I would see how things were at the altitude of Carson Pass. Access to the Winnemucca Lake trail, traversing below Round Top Mountain, is very easy. I did not expect a compelling golden-hour sky this morning, but I have been wanting a spot that would provide some scenic backdrops, with relatively quick access from home. A place I could get to know and then hike into quickly when conditions present themselves. Frog Lake, less than a half-mile south of the Pacific Crest Trail trailhead at Carson Lake, is a good candidate. I was out the door at 4:30 AM for the hour drive and even shorter hike.

The trail was quiet and the light was growing. A few clouds beyond the smoke made for a pretty sunrise, but the lake was my focus. I circumnavigated the small, mirror-like pool. Frog Lake is perfect. I now have a location for any dramatic storm days or seductive sunsets. There are expansive scenes to the north — Hope Valley to Freel Peak, and south — Round Top and its eastern ridge. Frog Lake could be a prominent mirror or frothy foreground. I can’t wait to give it a chance.

But I can’t walk away without a couple images. I focused on developing some foreground interest with the lake reflecting some of the sparse pines and snags at the lake margin and found a textured boulder with some prominent contrasting fractures. This provided some subtle leading lines and patterns against the stillness of the lake and loneliness of the haggard trees. Today’s images are focus-stacked and blended in Photoshop to emphasize the foreground texture.

Fractured snag. The tree is not only reflected in the water, the foreground boulder mirrors the pine. I used the same boulder as foreground in both images, but I found the change in perspective produced a very different foreground weight. This image is focus-stacked and I have removed some distracting, bright-white bird-stains from the rock. 1/100 sec, f/11, ISO 100; Canon 5DmIV, 17-40 mm f/4L.

I look forward to returning to the possibilities and easy-access of Frog Lake. The access this morning was so simple that I was soon fly-fishing along the West Fork of the Carson River in Hope Valley below the pass. A nice combo for the morning.

Link here for Full Image Gallery

Sunrise and Smoke: An Early Morning Decision

Sometimes spontaneous works. This is pretty much the image I imagined waking up an hour earlier. 1/25 sec, f/11, ISO 100; Canon 5DmIV, 70-200 f/4L.

Landscape photography typically involves planning, at least for me. I usually get some idea of place, story, mood, or composition, and begin by flying around in Google Earth, searching a few maps, checking the weather, and logging into PhotoPills or The Photographer’s Ephemeris. It’s part of the fun, but this morning wasn’t all that…

It has been miserably smokey in Carson Valley, with air quality commonly in the unhealthy range due to the disastrous and all too common fires in California and Nevada. We are in the smoke-plume of the Ferguson Fire at Yosemite. My trail running has ground to a halt, and there isn’t much motivation to get out for some landscapes. And yet, for some reason, I woke up at 4 AM — spontaneously, for otherwise no good reason — with the thought of catching the orb of the rising sun filtered through the smoke-plume haze. My pack sits ready and the tripod is in the car, so why not?  Let’s go.

I brewed some tea, toasted a bagel, and started out for Kingsbury Grade in the moonlit pre-dawn. I’d climb to a roadcut about half-way up the Carson Range and scramble over the edge to gaze down on the shadows of the Pine Nut Mountains. I knew I would keep it simple — my 70-200 to the horizon, and that’s it. The sun and smoke would do the rest.

I waited about 20 minutes and for much of that time I thought the thick curtain of smoke on the eastern horizon, with haze settling into the foothills, would block the sunrise completely. But soon a sliver of red appears, as if the ferocious fire had itself jumped from the High Sierra to the lowly Pine Nuts. The orb was here, pretty much as my dreams must have known. 

The Portal Arch. After capturing my earlier image, I watched the sun disappear and expected it to soon be too bright in the cloudless sky. As I reached to take the camera down, the orb crested the densest plume and seduced a second shot. This may earn a large print, to be viewed at a distance.  1/15 sec, f/20, ISO 100; Canon 5DmIV, 70-200 f/4L. 

My smoke-themed photos tend to be rather dark, a reflection of the foreboding plumes of the destructive fires in our midst. Please be careful out there and I hope those affected — the people and our wild lands — can soon recover. Please feel free to comment below.  Too dark?  Is the watermark a distraction? Fire and smoke affecting you? 

Link here for Full Image Gallery

Related Post: Tufa and Smoke at Mono Lake, CA.

Tufa and Smoke at Mono Lake, CA

A long exposure as early darkness set the mood at Mono Lake Tufa State Natural Reserve. 2.0 sec, f/11, ISO 100; Canon 5DmIV, 17-40 mm.

It was time to take advantage of a break in the work routine. The summer monsoons had recently encroached on the Pine Nut Mountains above StoneHeart, so maybe there would be some dramatic clouds and lightning to chase. Or, the exhausting California fires would continue to pour smoke onto the eastern Sierra, creating another saturated sunset.

I checked my radar apps all afternoon but the bright red blobs of the past few days were absent, and only a few yellow-level squalls bloomed momentarily and then scurried away in the afternoon heat. Nothing to chase in those. But I saw cumulus remnants in the direction of Mono Lake, so I steered south-bound on Highway 395 – a little later than I planned – with the goal of wandering among the near-shore tufa formations at the Mono Lake Tufa State Preserve. Smoke from the Ferguson Fire, the one that closed down Yosemite National Park for at least this week, should add some character to photographs of the tufa.

It is always a good drive through the Walker River Canyon. The drive was relatively quiet this evening, probably due to the smoke-filled skies keeping tourists away. I notice once again several outcrops and exposures along the canyon that could make splendid compositions in the right light and with the addition of some low-hanging clouds or a back-drop of fog. I will have to plan for that.

The Reserve basically circles the lake, and with the light fading fast, I dropped in to the easy access of the Old Marina parking area just north of Lee Vining. It isn’t the most dramatic tufa on the lake, but there are plenty of outcrops and towers – some with nesting Osprey – where one can find a composition or two. I dropped the three-dollar fee into the bin, grabbed my pack, and hiked out the boardwalk. I could see a group of hunched-back photographers at the distant end of the boardwalk, a workshop almost certainly; only a couple other photographers strayed from the cluster of tripods. With a happy hello – they did seem to be composing their images at the prime and fleeting moment of the smoky sunset – I circled away from the small crowed, eastward, off-trail among the sedges and flat-lying tufa mounds. It was getting dark fast, but I liked the darkening mood as the last light saturated the smoke and blurred the horizon.

Looking back, I noticed the group had departed, but a lone photographer remained, and for some reason he seemed to be composing his shot where I would be in the frame. I did not notice anyone working this direction when I passed by. I hope I’m not ruining his composition, or maybe he wants me for scale. I am, as yet, unaccustomed to wandering among landscapes with other photographers in them.

My feet were soaked and I’d stumbled into some deeper shoreline bogs here and there. But I’d found what I hoped for. Wading into knee-deep water, I picked out a tear-drop shaped rock leading to a set of tufa towers under a fiery, glooming sky. I set up a wide, vertical composition to get the low dynamic range, with hints of saturated color, from sky to foreground.  I took a few images in case I needed to focus stack, but I ultimately liked my first image (below). I waited into the blue-hour and the smoke settled into red-to-pink pall as I zoomed to the middle-ground towers to get them in the mirror of sky and water (banner photo above). As I was packing away my gear, a large coughing or huffing sound echoed from a nearby outcrop. I froze for a moment as the sound repeated itself. Where and what was it? It was strangely loud for being invisible, though it was practically dark. And then two large deer bounced from behind a tufa block, pogo-sticking through the grassy wetland of the nearby shoreline. Cool.

Smoke at sunset over Mono Lake tufa formations. 2.5 sec, f/20, ISO 100; Canon 5DmIV, 17-40 mm. 

I returned to the lone photographer at the boardwalk and apologized for possibly crossing into his image. He had no concerns and was merely waiting for the full moonrise. I set up to wait with him, trying to capture the red, smoke-tinted orb.  I had no luck, having not practiced much on the puzzle of the quick orbiting moon in a long lens with little or no foreground. It was an awesome sight, however. I left for the highway and turned toward home, where it would soon be midnight.

I processed the two images shown here to capture the mood of the smoke-filled basin and subdued lake in the coming night. The images are dark and saturated, captured after the heat of a long day as the destructive fires weigh on our minds and we cannot yet see the season’s end.

Connect here for Full Image Gallery.