On any other day I might have had to compose this image with a neutral density (ND) filter and a long exposure. Today even the vast Walker Lake was reflecting pond. Although the composition initially included the distant mountain range, this image worked best as a close crop on the tufa-crusted boulder. 1/500 sec, f/5.6, ISO 100; Canon 80D, 18-135mm.

I approached Walker Lake from the south at sunset, good timing after a long day’s drive. I have traversed this highway many times and spent some time on the lake, but I had never seen the glass-like stillness of this large remnant of pluvial Lake Lahontan. Amazed, I decided I needed a break from the windshield and turned off Highway 93 at Sportsmans Beach. I found the boat-ram perched far above the lake, even after the very wet winter.

I considered setting up on the roadways of the camp and picnic ground overlooking the lake, but the vast body of water and mostly clear skies dwarfed the Gillis Range in the distance. I was still enamored with the potential for wide images (and have not lost the bias for the wide favorite composition), but could tell that the blue lake and blue sky in a wide shot was not what I wanted. I was drawn to the calm of the lakeshore. Grabbing my monopod and 80D, I jogged down broad beach to the water. The light was turning toward its golden-hour peak but a few mid-level clouds in the west where about to shut it down, attenuating any later reflective drama.

I set up a few compositions on the reflective shore area and then turned to occasional bursts of color on the mountain-front of the Gillis Range. I found several reflection compositions, but most where too busy with jumbly boulders and swamped tumbleweeds. It wasn’t until I zoomed in (and ultimately cropped in post) that I captured the close-up magic of what I felt in the calm and silent shore.

I tried some wide-angle reflective images but they feel unbalanced and lack much interest. I like the Gillis Range panorama  but only because I have climbed to its summit, otherwise the photo has no real subject. The contrasty mountain view is the color pallet I really like, but the foreground, or basic lack thereof, muddles the shades of the faraway desert hills. Looking back, I also think I could have used a lower ISO setting to get rid of a small amount of low-light noise; it seems I didn’t trust the monopod, further revealing my inexperience with exposure settings.

A four image panorama of the Gillis Range. Not the best composition, I’d hoped for colorful sky, but mid-level clouds to the west blocked the setting sun. Still, I’ve always liked the Gillis Range. 1/400 sec, f/9, ISO 400; Canon 80D, 18-135mm.

I love the color pallet and contrast of desert mountain ranges. I hate not finding a foreground to go with the distant hills. Probably too much uninteresting sky here too. 1/320 sec, f/9, ISO 400; Canon 80D, 18-135mm.

Walking back toward the truck in fading light of the beach, I found some intimate compositions of coyote tracks and sandy erosion. On the day, I may be most happy with these simple, monochromatic images. A worthwhile stop, all in all.

Although nowhere to be seen, a young coyote led me up the beach. 1/30 sec, f/9, ISO 400; Canon 80D, 18-135mm.

With the sky a disappointment, I looked for shapes on the ground. 1/400 sec, f/9, ISO 400; Canon 80D, 18-135mm.

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D. Craig Young

Host of Trail Option, chaser of light and old dirt, bound to wander and wonder. Not exceptional at anything, but a solidly mid-pack trail runner, photographer, geographer, musician, and writer — there is a little of all that here.

 

Geoarchaeologist and Principal at Far Western Anthropological Research Group.

With my wife Desna, a founding partner of StoneHeart Ranch, our home on an old alluvial fan above Gardnerville, Nevada.

Thanks for joining me on the trails of the Great Basin and far beyond. These form my personal geography of art and science.

Let’s keep going…