The 2017 retreat had an auspicious beginning. One of the larger, intense storms in a series driven by a well-established atmospheric river deluged the coastal ranges, making for difficult travel and dramatic conditions on the beach. Our rental was cold and leaky, but we settled in to work against the storm. The storm cleared by the second morning.
In the midst of our gathering there is ample time to explore the beach and the hills of the Marin Headlands. The coastal landscape provides the opportunity to practice in an unfamiliar environment. This images reflects my early attempts at coastal photography in a variety of conditions — from the storm’s morning-after to the brightness of a weekend sunrise. The images also archive the immaturity of my processing skills. As always, it was important to be out there, experimenting and trying to capture the motion of the ocean and the serenity of the beach.
Before sunrise on the morning after the storm; my first attempt at a seascape long exposure; really, my first long exposure ever. I purchased a 6-stop ND filter especially for this morning. I struggled with focus while using the filter, and battled the fog while processing, but I do like the mood that came through. This is not a compelling composition, however. 2 sec, f/8, ISO 200; Canon 80D, 18-135mm.
Another long exposure try with a bit more emphasis on processing for what the scene looked like; it’s less blue and I used a slightly faster exposure to isolate the clouds and fog. Or that’s what I thought I was doing. Very fun morning getting to know my camera, and getting my feet wet in the rising tide. 1 sec, f/8, ISO 100; Canon 80D, 18-135mm.
This is the photo that taught me about zooming in on a composition using a basic cropping tool in processing. It was one of the first photos taken with my new 70-200 lens; with the APC sensor of the 80D, the focal length is effectively 360mm. Very cool. 1/200 sec, f/11, ISO 200; Canon 80D, 70-200 f/4L.
You cannot pass up a brilliant, post-storm sunset at Stinson Beach. After waiting for over an hour, I wasn’t sure the sun would get through the mid-level clouds; I almost wasn’t ready when it did. There isn’t any foreground interest, but I like the two people (and two gulls) for scale. 1/25 sec, f/11, ISO 200; Canon 80D, 18-135mm.
I tried to catch some light on the breaking waves but that over-exposed the sky. A graduated filter in processing helped, but I don’t care for the subdued sky when the reflecting blue in the water is a more accurate expression of the morning sky. I like the image because it reminds me of the morning, but the processing is heavy-handed. Seascapes are difficult. 1/250 sec, f/11, ISO 100; Canon 80D, 18-135mm.
D. Craig Young
Host of Trail Option, chaser of light and old dirt, bound to wander and wonder. Not exceptional at anything, but a solidly mid-pack trail runner, photographer, geographer, musician, and writer — there is a little of all that here.
With my wife Desna, a founding partner of StoneHeart Ranch, our home on an old alluvial fan above Gardnerville, Nevada.
Thanks for joining me on the trails of the Great Basin and far beyond. These form my personal geography of art and science.
Let’s keep going…